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  • Nigredo Shadowgraph. 8' x 4', stone lithography (printmedia).
    Nigredo Shadowgraph. 8' x 4', stone lithography (printmedia).
  • Syntactical Forms. 7' x 2.5', 5' x 4', 7' x 2.5', 4' x 10', sculpture.
    Syntactical Forms. 7' x 2.5', 5' x 4', 7' x 2.5', 4' x 10', sculpture.
  • The Guide. 6.5' x 4.5', mixed media drawing.
    The Guide. 6.5' x 4.5', mixed media drawing.
  • Thermometer. 7' x 4.5', mixed media drawing.
    Thermometer. 7' x 4.5', mixed media drawing.
  • Satellite Legs. 7' x 4.5', mixed media drawing.
    Satellite Legs. 7' x 4.5', mixed media drawing.
  • Float Body. 5' x 2', mixed media drawing/sculpture.
    Float Body. 5' x 2', mixed media drawing/sculpture.

Joel Fullerton

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Statement 

Reduced to an essential visual vocabulary, form, color, gesture, shape, and materials assume a "constructed language." The work diverges and integrates around two archetypal polarities, figure and land. The figurative component of the work is often read ambiguous in its shape, while also associating to the elemental forms of landscape, as the insinuations of landscape associate to the body. These visual elements are supported by the use of materials that seem in opposition to each other, yet are essential to human existence both physically and environmentally. The materiality of the work can be broken down into three sub-sections: natural material, intermediate derivatives from natural, and synthetic materials. Initially within my work, in particular with drawing, natural materials become the foundation and assist with respect to excavating an archetypal association, allowing instinct to prevail over intellect. Within sculpture, shape as it associates to my drawing aligns conceptually, taking on form; synthetic materials prevail but retain natural organic form. The materiality of the sculpture relates to how synthetic materials have been utilized within a 20th century paradigm to simulate environments based on an association to natural structures; for example, exterior protection, insulation, and internal configuration. It is within the context of the works' materialization where process has informed my artistic conceptual direction.

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Work by Anne Peabody (BFA89) featured in the Venice Biennale

Venice Biennale

Posted by Katherine Koss 06.16.09, 10:10
Tagged Art, Creative activity, International, Alumni
My Sidewalk, Anne Peabody.

Anne Peabody (BFA89) is among the artists invited to present their work in Glass Stress, an official exhibition of the 53rd Venice Biennale – and she has the internet to thank.

Peabody said a simple web search directed curators for the exhibit to her personal website. After seeing her work online, they asked her to send more images and a statement.

"I didn't hear back for a couple months and had sort of written it off," Peabody said. "When they called to tell me I had gotten in, it was like a dream."

Glass Stress celebrates the use of glass in contemporary art, exploring the relationship between the artist and the material. The exhibition features both specifically commissioned new work and selected pieces by more than 35 artists, and is being held in the historic Istituto Veneto di Scienze Lettere ed Arti at the Palazzo Cavalli Franchetti from June 7 through November 22, 2009.

Curators chose Peabody's piece "My Sidewalk" for inclusion in the show. The muse for her work literally came from the ground up several years ago. When she moved to Brooklyn in 2001, she recalled being "discouraged" initially, because New York didn't have the same physical beauty she had come to appreciate in her previous home of Lexington, Kentucky, where she had been painting landscapes.

"I was looking down a lot, feeling uninspired, when I started to notice the daily changes in the sidewalk right beneath my feet," Peabody said. "I started making drawings of the litter I found on 10 panels of the walk in front of my apartment."

Peabody then made those same drawings on glass, and adhered silver leaf to the finished product. "The result is mirror-like, so that everyone sees something different when they look at it," Peabody said. "Everyone sees himself in the picture."

Glass Stress is presented by Venice Projects, organized by Murano-based art impresario Adriano Berengo and curated by Laura Mattioli Rossi and Rosa Barovier Mentasti. Other artists in the show are: Josef Albers, Jean Arp, Barbara Bloom, Louise Bourgeois, Sergio Bovenga, Lawrence Carroll, Cesar, Soyeon Cho, Tony Cragg, Jan Fabre, Luciano Fabro, Lucio Fontana, Francesco Gennari, Dan Graham, Richard Hamilton, Mona Hatoum, Seul Hye Rim Lee, Mimmo Jodice, Marya Kazoun, Joseph Kosuth, Raimund Kummer, Rita McBride, ORLAN, Jean Michel Othoniel, Luca Pancrazzi, Anton Pevsner, Jauma Plensa, Man Ray, Silvano Rubino, Jana Sterbak, Lino Tagliapietra, Koen Vanmechelen, and Kimiko Yoshida.

Visit Anne Peabody's website

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